Planet theater
Portrait of a polymath and eccentric artist of our time, in theater, cinema and plastic arts…. Bob Wilson asks questions about his theatrical work, and gives the viewer some of the keys to his aesthetic search, with many extracts from his work, including Video 50 (1978), the CIVIL warS (1984), Hamlet Machine (1986), The Black Rider (1990), Mr. Bojangles´ Memory (1991), The Magic Flute (1991), Watermill Foundation, and A Portrait (1992). After talking about his meetings with some of the last century´s most famous figures (Charlie Chaplin, Marlene Dietrich, Charles H. Coles, and so on), Bob Wilson tells us about his future plans. In particular, the Watermill Foundation in the United States, where he would like to be able to open theater workshops to young people from all over the world.

The Citadel of Silence
At the Bastille Opera house in Paris, Jean Grémion talked at length with Bob Wilson a few months ago. In this exclusive document, the author of Deafman Glance, Einstein on the Beach, and the CIVIL warS to name but a few, retraces his steps since his first work.
The Citadel of Silence is above all else a dizzying plunge into the inaccessible realm of Bob Wilson´s hidden secrets & his meeting with Raymond Andrews, the deaf child; with Christopher Knowles, whom doctors thought of as autistic, but whom Bob Wilson on the other hand greeted as a new Mozart, with Philip Glass, who enabled him to take a side road leading him out of the lands of silence. Enriched with extracts from his main works & Deafman Glance (1971), Ka Mountain (1972), A Letter for Queen Victoria (1975), Einstein on the Beach (1976), Death, Destruction and Detroit (1976-1987) and the CIVIL warS (1984), the Citadel of Silence can also be construed as the account of an assassinated childhood.